There’s a shared language between letterforms and clothing — both rely on silhouette, detail, and movement. For Jenny Hytönen, whose designs fuse delicate textures with sharp structural cuts, we aimed to translate that tension into typographic form. The logotype’s core structure nods to classical proportions, but nothing is left untouched: terminals are clipped, stems pinched, counters slightly warped. These tweaks are almost imperceptible at first glance, but they echo the precision of a hand-cut hem or embroidered edge. Just like in fashion, the effect emerges in motion, from context, in the way the logo sits on a page or moves across fabric. It’s gothic but not nostalgic, decorative but controlled — a silhouette with intent.